During last week's London Design Festival the super fascinating Plants Out Of Place initiative curated an exhibition with a selection of inspirational projects to introduce its mission to the public. The London-based initiative seeks to engage with the world to re-consider the value of wild plants and how we may utilize them to design for a better future - a vision through which they created a sensory event aiming to trigger the public on an experiential level to question the values and approaches to sustainable practices. The exhibition showed an overall high standard with work by inspirational names like Studio Drift and Drink Factory, yet we are most impressed by the work of our favorite; Coloni which combined forces with Studio Aikieu, resulting in some of the most beautiful imagery we have seen in months. [ Continue reading ]
Slow → Search results for ‘Coloni’
We absolutely love the new collection by Sweden-based gardening house, and one of the most elegant companies worldwide; Coloni. For Spring/Summer 2014 the company has explored the field of species for growing on balconies and other small spaces. By focusing on these species with a wild character, such as meadow flowers and different kinds of grasses, and combining them with species that have a graphic and dramatic character the aim is to create seed mixtures with a natural and less structured feeling. Inspired by the rhythm of day and night and its different moods, the collection named From Dusk Till Dawn consists of the seed mixtures Early Shades, Harvest Noon and Into the Night. [ Continue reading ]
The amazing gardening set by Coloni at Miscellaneous Store that takes gardening to a new and conceptual level. [ Continue reading ]
Sometimes you stumble upon something extraordinary, new, fresh and completely beyond anything expected. Coloni is one of these things. Coloni is a swedish based gardening house founded in 2010. In collaboration with a horticulturist, Coloni has developed an approach to a new kind of indoor gardening based on seed mixtures composed from a conceptual point of view. The mixtures consist of seeds from desert and arid Mediterranean climates and include both annual and perennial species. [ Continue reading ]
by Milan van Dril
Milan van Dril's IN DE OOST will be one of our favorite publications of 2021. The project with behind the scenes photography was released as part of the extensive campaign for the polarizing Dutch war movie De Oost (The East). A first of its kind, in the tradition of the great American anti-war films, De Oost portrays the 1945 - 1949 Indonesian War of Independence through the eyes of a disillusioned Dutch soldier. A subject matter that hadn't made it to the Dutch cinemas yet, because it ended 350 years of Dutch colonial rule in South-East Asia in a rather shameful manner. IN DE OOST presents a selection of analogue imagery by one of our favorite young Dutch photographers, who has created a time capsule of the set that erupted in Indonesia during the first half of 2019. [ Continue reading ]
We have been big fans of the work of Norway-based Iranian collage artist Ashkan Honarvar since his graduation days at the HKU University of the Arts in 2007. In the decade that followed, he has been steadily producing series after series on an extraordinary high level, dealing with reoccurring themes like colonialism, war, mass destruction, megalomania and other grotesque behavior. Always succeeding in creating imagery that is both intelligent and haunting, slightly repulsive but always captivating. In March of this year Ashkan presented another highly ambitious series of eight chapters named 'The Red Forest' that he has been releasing over the course of different weeks.
Within the new body of work, all of the different subseries touch the same ('Honarvar signature') aesthetic atmosphere and share the same underlying technique, but every chapter has its unique elements, telling different segments of the narrative. And although every chapter complements the strong emotion of the overarching concept, our favorite out of the body being the sixth, as shared below. The story behind 'The Red Forest' is based on the first seven years of Ashkan's life, growing up in Iran during the Iran-Iraq war, which at first sight suggests it is one of the most personal series till date. Yet the seamless fit of the series within the signature running through his portfolio, probably tells how personal his work always is, despite it referring to subjects that are much looser connected to the artist own history. One element within 'The Red Forest' that is a novelty is Ashkan's use of 3D renders, with the skulls and human figures (the female figure is Norwegian model Malena Morgwen) in this project, made with a 3D application Zbrush and then printed out and, as per usual, finished with handmade collage.
Both the subject-matter (as a point of reference for all of Ashkan's work) and this new layer of depth in the disfigurations of human representations, grabs us by the throat a little stronger than ever before, making 'The Red Forest' a significant development and possible important new chapter within the evolution of the brutally talented Ashkan Honarvar. Leaving us waiting eagerly where he will take these new artistic facets in the future.. [ Continue reading ]
From the moment we encountered the super inspirational work of Congolese photographic artist Sammy Baloji, we haven't been able to get his haunting imagery out of our heads ever since. In the last decade, the artist, who resides in his city of birth Lubumbashi and Brussels, has gathered international acclaim with his photographic works that explore the cultural, architectural and industrial heritage of the region where he was born named Katanga in the African country Congo. Baloji juxtaposes photographic realities, combining past and present, the real and the ideal, to illicit extraordinary cultural and historical tensions.
With his imagery Baloji explores architecture and the human body as traces of social history, sites of memory, and witnesses to operations of power. History of art and documentary photography blend with that of colonialism. His series of photomontages, of revisited albums confront his historical research with the human and economic actuality (such as the new invasions of these territories by companies from China for instance). All of his juxtapositions are highly charged with meaning, but above all: always succeed in leaving an everlasting impression, that forces one to question past, present and future of Congo and the whole continent of Africa. [ Continue reading ]
Danny Fox at V1 Gallery in Copenhagen
When we discovered the paintings of British artist Danny Fox, somewhere in the early Summer of last year, we experienced an excitement that hardly still occurs in that kind of encounters, especially in his discipline. His work, as much as the artist behind it, are of the hate-or-love-kind, and we fell head over heals for his uncompromising creations. At that time Fox had refocused the subject-matter of his unpolished paintings from painful self-experience to the more uplifting things he appreciates in life resulting in scenes with boxers, horses, cowboys, snakes, fruit, transsexuals, strippers or patterns reminiscent of ancient Greek decoration. It marked the start of a new phase, with the St Ives-born turning into a rapidly rising star in the art world, giving him the opportunity to travel beyond London, where he was based, moving to Los Angeles. An exhibition with new works opened last Friday, bringing Fox's work to Denmark for the first time, given the moniker 'A Spoon With The Bread Knife' — a reference to English rhyming slang where the bread knife translates to wife and spoon to cuddle. His new works show his familiar signature, through which he has created new captivating narratives, exploring a new richness in the complete image and bigger sizes in his canvasses, seemingly indicating that all this is only the start of what we can expect from one of our undisputed favorites in contemporary painting. [ Continue reading ]
Through the lens of Ilyes Griyeb
Sometimes a photographic series perfectly touches on the field that's in between (and overlays) the staged and documentary, creating a complete compelling narrative which transcends the imagery. More than just being individual photographs with the quality of a verb, the combination of the imagery brings a story to life, taking the mind of the spectator into the head of the photographer at the moments when he captured what he saw. Without forcing any reading of meaning onto the spectator. Generally speaking we tend to prefer abstract (landscape) photography within this particular genre. Photographers finding beauty in the ordinary or not so ordinary, which apparently for us seems to be more often non-human (whatever that really means). After 'Tranquility', which we shared earlier, another series with a prominent place for people has become an instant favorite of ours. 'Moroccan Youth' masterfully combines both portrait and landscape photography and keeps fascinating us deeply since the moment we first laid eyes on it.
Paris-based photographer Ilyes Griyeb released the series of his remarkable observations in a nondescript Moroccan town last year, but we discovered it only recently. In all of the photographs there's that sense of hope combined with sadness — a gaze away from the lens, or on the contrary straight into it. A pair of stripped carseats in the sun, a roof filled with numerous satellite dishes bringing in television programmes from all over the world. Even the people who are actually smiling, raise the question in our heads if these young people actually want to be where they are? Are they dreaming of wearing their Louis Vuitton in the place where it originated, riding their dirt bike in a place where it's less dusty, visiting the city where Ilyes himself came from to capture them. Or is that really just our neocolonial conditioning and are they actually happy being the cool kids where they are? Every time the images tell the story different, without it becoming boring. It has captivated us from the moment we laid eyes on these images and will continue to do so. [ Continue reading ]
Iris van Dongen at the Bugada & Cargnel Gallery in Paris
Dutch artist Iris van Dongen, who was born in Tilburg but lives and works in Berlin, has grown into a respected name in the art world in the last years. In 2014 she was commissioned to create an official portrait of the Dutch King and her work has been exhibited worldwide. A remarkable new series of work travelled to Paris two weeks ago, where on the 14th of April a new solo exhibition at her gallery Bugada & Cargnel opened for the public. With the exhibition named 'The Hunter from Noland', van Dongen presents a series of new drawings mixing gouache, soft pastel and pressed charcoal, and in which the artist recomposes elements from different styles and cultures, from Art nouveau to Asiatic art. The exhibition displays works that, although entirely autonomous, are part of a whole, a fragmented fresco, a story that unfolds on several levels of interpretation. Representing landscapes, characters and a suspended temporality, these new productions are like contemporary vanitases, in which the protagonists are the for the painter familiar young ghostly women. With their slender arms, and dressed in colorful, printed kimonos, these female figures remind of Indonesian Wayang dolls and the iconic work of Gustave Klimt and emphasis the incredible artistic vision of the highly gifted Dutch artist. We love the new influences in van Dongen's pieces and can't wait to visit Paris and see and experience her new captivating works in person. [ Continue reading ]
Ashkan Honarvar at CES Gallery Los Angeles
We are big fans of the work of artist Ashkan Honarvar, being among the most thought-provoking collage artist working today. At the end of February the Iranian-born, Utrecht-schooled artist celebrated another milestone in his career with the opening of his very first solo exhibition at CES Gallery in Los Angeles named 'Sometimes I forget myself'. The exhibition features new works on paper from two recent bodies of work. The first series titled 'Denial of Death' is inspired by the writings of cultural anthropologist Ernest Becker, in particular his Pulitzer Prize-winning book of the same name. The second series titled 'King of Worms', which we premiered online, references radical feminist filmmaker Jane Arden’s 'The Other Side of the Underneath' and its exploration of corruption, abuse of power, and gender inequality. Working exclusively in hand-cut collage Honarvar presents a mythic and visceral vision of humanity and its qualitative constructs. [ Continue reading ]
The Amsterdam-based creative mind Ruben Pater, working under the moniker Untold Stories, first caught our attention in 2013 with his 'Drone Survival Guide'. Two years earlier, Pater presented another remarkable project named the 'Borders of the World' notebooks in which he just as masterfully implements a visual narrative on a geopolitical issue - in this particular case having not lost any of its relevance in the years that have passed since (or maybe even becoming more urgent..). Central inspiration for the project are the numerous fortified borders one finds throughout the world. Many of them being heavily guarded -even dividing nations at war like in North and South Korea- or just dividing the fortunate and the less fortunate, like the enclave in Melilla and the Evros fence between Turkey and Greece. Studying these 'walls of the world', Pater observed distinctive patterns in the different fences guarding its nations, which he translated directly onto the pages of the notebooks representing six different borders. The results form a project which still impresses us greatly. [ Continue reading ]
We just became familiar with the extraordinary work of the recent Royal College of Art London graduate Eden Barrena. With her work, the Spanish-born artist explores the relationship between the self and the other, and in the estrangement and conflicts that this encounter generates. Using print, drawing and bookmaking in order to collect these confrontations and transmit the amazement to the viewer. Sometimes, these are small stories very well localized in a determined context, but in other occasions her work remits to phenomena that expand through history: migration, cultural identity, racism, colonialism and the discovery of the alien. We love the raw and dynamic aesthetic in her images, mostly consisting of minimal depiction on blank backdrops achieving maximum effect. Keep an eye on this incredible talent! [ Continue reading ]
About one and a half years ago we discovered the Kickstarter campaign which funded the very first OPENHOUSE Magazine, and after its release in June of 2014 it rightly so impressed a lot of people and got picked up worldwide. Six months later the second issue was released and throughout last June and July the just as highly anticipated third magazine by founders Andrew Trotter and Mari Luz Vidal was launched at different locations in Europe. In the inspirational third chapter Andrew and Mari share their insightful and colorful stories from all over the world. We particularly love the story on our dear favorite Coloni, who were visited in their headquarters in Sweden and shared the story of their floating Pocket Park, that was set up to teach residents that you don't need to have a large space to grow your own flowers and vegetables. Make sure to pick up the beautiful third OPENHOUSE Magazine and be inspired. [ Continue reading ]
We are very excited to premiere to the world this brand new series of phenomenal collages named 'King of Worms', which is the biggest project till date created by one of our favorite artists period: Ashkan Honarvar. The Norway-based visionary has been producing collages for almost a decade now, both under his own name as the pseudonym Who Killed Mickey, always finding inspiration in the dark side of humanity and from the questions that rise about it. The extraordinary new project is no different; consisting of 107 collages, divided in 10 chapters with a unique aesthetic, although undeniably marked with Honarvar's signature style. It was inspired by a quote from Jane Arden's film The Other Side of the Underneath, with the overall theme focussing on how power corrupts and is abused as well as the role men play in this misuse and women’s faith. In our eyes Honarvar succeeded tremendously in created something like a second personal layer for the film, which has almost mythical status amongst fans of radical, experimental cinema, because of its visionary and disturbing depictions of the mental state of its schizophrenic protagonist. Today we share a selection of the first 5 chapters of 'King of Worms', with the other half coming soon. [ Continue reading ]
We are very happy to share a new breath-taking story by our favorite online destination for armchair travel: Jungles in Paris. The story finds another extraordinary angle and examines the crosses of the Ethiopian Orthodox Church. Based in the country's northern highlands, it is by far the oldest Christian tradition in sub-Saharan Africa, which dates back as far as 1700 years ago. Its rituals are more ancient than those of many other Christian denominations around the world. Crosses are, unsurprisingly, a major part of the visual and spiritual expressions of this church, and they come in a beautiful variety of wood and metallic forms. Many of the designs are found nowhere else on earth and are beautifully caught by the very talented Greek photographer Lizy Manola, as part of her newly released publication named 'Ethiopian Highlands', out of which, through the observation and curation of Jungles in Paris' driving forces Oliver and Darrell Hartman, this beautiful story was created. [ Continue reading ]
All of the incredibly talented Ashkan Honarvar’s art deals with the darker sides of the human mind through the undeniable and unavoidable beauty of the human body. The universal human body, used as tool for seeking identity, is the focal point of his work. By dissecting and rearranging images with careful aesthetic vision, Honarvar creates work with an intriguing macabre darkness. Since his graduation from the Art School in our hometown Utrecht in 2007 Ashkan has been making a name for himself with his utmost fascinating collages. Themes like colonialism, war, mass destruction, megalomania and other grotesque behavior are all observable in his progressively growing body of work. We can't get enough of his enthralling collages and love how the artist combines the abject with the aesthetic, creating images one can't stop looking at. Being very inspired by Ashkan's vision we asked him a couple questions to find out what inspires a highly unique mind like his. [ Continue reading ]
Since his graduation in 2007 artist Ashkan Honarvar has been making a name for himself with his utmost fascinating collages in which he focuses on the dark side of humanity. Themes like colonialism, war, mass destruction, megalomania and other grotesque behavior are all observable in his progressively growing body of work. We particularly love his series of this year; 'Conquest 5' and 'Identity Lost' which was released in 2013. The series examine different visual languages, out of which the new images are created, but the results are equally haunting and show beauty in the most macabre images, exemplifying the enormous talent of Honarvar. [ Continue reading ]
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We wrote about it before, but now we’ve got some insights on the brand and wanted to share it again. The spring/summer ‘Horses collection’ by Camo is inspired on north-african colonies and is about camouflaging the clothes to go to work, whether it is on your bike or… [ Continue reading ]