The Talks – No Idea Is Final
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The idea is to die young as late as possible. — Ashley Montagu — Wednesday July 15th — —
“What art does — maybe what it does most completely — is tell us, make us feel that what we think we know, we don’t. There are whole worlds around us that we’ve never glimpsed.” Greil Marcus — Wednesday July 15th — —
I love listening. It is one of the only spaces where you can be still and moved at the same time. — Nayyirah Waheed — Wednesday July 15th — —
Price AUD$49.95 Price CAD$45.00 Price €29.95 Price £24.95 Price T35.00 Price USD$35.00…[ Continue reading ]
Dean Kissick prescribes a renaissance of sensualism to save us from our collective ennui…[ Continue reading ]
How platforms mess with our tastes.[ Continue reading ]
Artist Ai Weiwei responds to censorship from the M+ museum in Hong Kong and Swiss outrage over his dissident ideas.[ Continue reading ]
Dia Art Foundation is a contemporary arts organization with locations in Beacon, New York, and the American West.[ Continue reading ]
artist julien berthier built a hyper-realistic rock with epoxy resin placing it on top of a worn-out found boat.[ Continue reading ]
The 40-year-old institution, which is set to close later this year, is responsible for key albums by Minor Threat, Fugazi, Bikini Kill, and many, many more.[ Continue reading ]
Learning to love music—and to hate it, too.[ Continue reading ]
The designer’s first-ever runway show will anchor the return of New York Fashion Week.[ Continue reading ]
Modern designers have used tailoring to reveal surprising things about the male physique.[ Continue reading ]
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In times of visual abundance, the photography of Petros Koublis still has a quality that more and more seems to disappear in the discipline — it evokes a mythical, almost otherworldly feeling through the immaculate depictions of divine landscapes, as he likes to call it himself. Koublis' latest series named 'Anama' took the photographer to the Greek island of Tinos. Positioned in the heart of the Aegean sea, the island is famous for its strong winds, immortalized since ancient times through the myths about long forgotten legends, among which is Aeolus, the god of winds, who was said to have his palace inside the clouds that embrace the summit of its highest mountain.
The project was initiated by Athens-based Talc Design Studio and it was commissioned by a local group of entrepreneurs. The idea was to project the unseen part of an island more famous as a religion center, with thousands of pilgrims visiting every year the shrine that hosts the miraculous icon of Virgin Mary. From the rough, weather beaten northern part of the island, to the milder south, the landscape opens a door towards an emotional interpretation of its form, in terms of a constant metamorphosis that started with the first awakening of consciousness of the first settlers of the island, thousands of years ago, and it continuous to this day through the eyes of Koublis, who caught the magical place immaculately, honoring all the inherent mythology in a perfect visual translation. [ Continue reading ]
Although Saint Laurent’s visionary creative director Hedi Slimane left his position six months ago, the design of the just opened second Miami store, immaculately clad in white marble, located within the Miami Design District, seems to indicate that his artistic ghost still lives throughout the brand as it did for many years (until this day?) after he left Dior Homme. And why not, as it brought a distinct new elan to the (Yves) Saint Laurent label, which translated into record sales, a widely recognized brand and some highly inspirational elegant design explorations, particularly in the stores that were opened under the creative directing of Slimane. With Belgian creative director Anthony Vaccarello now responsible, new accents have been formulated in the visual language, steering away from the Slimane signature grunge influences which he mixed with modern rock and roll decadence, but in the design of this new Miami store, the Slimane touch, as seen for instance in the last year's opened new Parisian Saint Laurent store, feels as strong as six months ago. [ Continue reading ]
When we discovered the paintings of British artist Danny Fox, somewhere in the early Summer of last year, we experienced an excitement that hardly still occurs in that kind of encounters, especially in his discipline. His work, as much as the artist behind it, are of the hate-or-love-kind, and we fell head over heals for his uncompromising creations. At that time Fox had refocused the subject-matter of his unpolished paintings from painful self-experience to the more uplifting things he appreciates in life resulting in scenes with boxers, horses, cowboys, snakes, fruit, transsexuals, strippers or patterns reminiscent of ancient Greek decoration. It marked the start of a new phase, with the St Ives-born turning into a rapidly rising star in the art world, giving him the opportunity to travel beyond London, where he was based, moving to Los Angeles. An exhibition with new works opened last Friday, bringing Fox's work to Denmark for the first time, given the moniker 'A Spoon With The Bread Knife' — a reference to English rhyming slang where the bread knife translates to wife and spoon to cuddle. His new works show his familiar signature, through which he has created new captivating narratives, exploring a new richness in the complete image and bigger sizes in his canvasses, seemingly indicating that all this is only the start of what we can expect from one of our undisputed favorites in contemporary painting. [ Continue reading ]
Unfortunately it took a little longer to share this than we hoped, as it has been some weeks ago that we sat down with British artist John Stezaker when he visited Antwerp for his duo exhibition that closed today at Gallery Sofie Van de Velde, which juxtaposed his collages with the work of Belgian artist Marcel Broodthaers. Meeting Stezaker, gave us a highly enlightening conversation, but due to our busy schedule in the following weeks, it took time to prepare the text for sharing. What's particularly striking: the (shameful) fact that we publish the conversation on the very last day of his exhibition in Antwerp, pretty much feels like the perfect metaphor for the complete career of the artist, who started in the 70's, but had to change art for lecturing, as nobody seemed to understand his surreal vision in times of (British) conceptual domination.
At the beginning of this century, Jake Miller of the London-based Approach Gallery changed all this by introducing his work to the world. Stezaker debuted a solo exhibition at the Whitechapel Gallery in 2011 and was granted the Deutsche Börse photography prize in 2012, becoming one of the first non-photographing artists to be granted the prize. His work re-examines the various relationships to the photographic image: as documentation of truth, purveyor of memory, and symbol of modern culture. In his collages, Stezaker appropriates images found in books, magazines, and postcards and uses them as ‘readymades’. Through his elegant juxtapositions, Stezaker adopts the content and contexts of the original images to convey his own witty and poignant meanings.
This exhibition might be over, Stezaker's wise words on his surreal imagery will remain relevant long after today, having stimulated many new thoughts in our minds about contemporary visual culture.. [ Continue reading ]
When we became familiar with the work of Italian visual artist and director Yuri Ancarani, it touched a special place of interests that brought together both our deeply rooted love for cinema and still aesthetics. His immaculate yet very poetic portraiture of whatever subject matter he chooses to focus on, marries content and form in a seldom seen way. Whether it are the marble quarries of Monte Bettogli, where Ancarani portrayed the conduction of the process, the iconic San Siro stadium in Milano or a robotic surgery department in function: as seen through his lens a new kind of beauty evolves out of the ordinary (or unordinary).
Last Thursday, we were lucky enough to have seen his latest feature length documentary named 'The Challenge' at the International Documentary Film Festival Amsterdam. The new project took Ancarani to the deserts of Qatar, where he both portrays the sport of falconry and the excessively rich who engage in it, without taking a stance, silently observing. Three years he explored this form of hunting in the field with his camera, which made it possible to capture the spirit of a tradition that today allows its practitioners to keep a close rapport with the desert, despite their predominantly urban lifestyle. The viewer's guide to how they cross that threshold is a falconer taking his birds to compete in a tournament. In the glaring light of an empty landscape, following flight lines and lures, the film recounts a strange kind of desert weekend, in which technological and anthropological microcosms hang in the air, like the falcon, drifting on the irreversible currents of images.
When in Amsterdam, don't miss this incredible work of art that will be shown at IDFA two more times: tonight and coming Saturday! [ Continue reading ]
Last Friday, the doors of the beautiful Capital C building in Amsterdam have opened for BIG ART. The new initiative of curator Anne van der Zwaag presenting over 50 XL artworks by contemporary artists and designers, running until the 27th of November in what used to be the Diamant Exchange of the city. A unique mix of acclaimed names and upcoming talents, monumental paintings, drawings, large sculptures, big photos and huge installations. As one of the official partners of BIG ART we will present some of our favorite artists included in the curation of van der Zwaag. Today, we focus on a longtime favorite of ours: Amsterdam-based artist Marijn Akkermans, with whom we talked about the development in his work after graduating from the art academy 15 years ago, the pressures of modern society and the installation-like presentation of his incredible work at BIG ART. [ Continue reading ]
In the words of Satisfy founder Brice Partouche; "running is like meditation," which might very well the best medicine to keep your mind in the right place at the moment. In that particular realm, the Nike x Undercover Gyakusou Holiday 2016 collection just dropped as part of the ongoing collaboration between Nike and Undercover's Jun Takahashi, that has entered its sixth year. Each Gyakusou collection builds upon the last, blending innovation with Takahashi’s creative punk spirit and athletic sensibilities. The new collection notably reflects Nike’s approach to transformative design, as select items are designed to reduce distraction by being easily packable. Since the very beginning, Takahashi made the Gyakusou color palette to blend well with both the urban and natural landscape using earthy colors and the traditional colors of Japan, this season also debuting some contrasting colors in the palette. Another first time is the fact that Takahashi features in the lookbook created for the new collection. Next to the photography, an impressive video was additionally produced, in which the Japanese visionary expresses his vision for what he has been aiming to create with Gyakusou in the last six years. Very impressive, if you would ask us. [ Continue reading ]