We just discovered the inspirational work of Danish painter Lars Tygesen, who last week opened a new solo exhibition named 'Svundne tider' ('Bygone times') at the Viborg Kunsthal in Viborg, Denmark. Two years earlier, Tygesen showed a series of remarkable paintings named 'Nøgen' ('Naked') in the Copenhagen-based Ringsted Galleriet, being the specific works which recently, by coincidence, we stumbled upon to discover his extraordinary artistic vision. Subsequently, seeing all of his creations of the last few years on his website definitely made an impression. Tygesen works with oilpaint on canvas, which in a signature fashion he affixes in numerous thick layers of paint. The images he creates are figurative, but through an interesting use of different color surfaces and the multiple layers on the canvas an abstract collage-like effect is created, resulting in a intriguing level of ambiguity which we really appreciate.

His 'Naked' series deals with the specific subject matter of female form, which he approached by creating collages out of old erotic pictures from the 1940’s and 1950’s portraying lush, fertile women that formed the basis of his own abstracted colorful naked depictions. This method, creating on the basis of collage imagery, can be detected throughout the artist's career, having collected numerous motifs from magazines and uncountable pictures of royal interiors, forming the fundament in the paintings he creates from his fascination with the representation of the grandiose, the pompous and even snobbism. We love how in recent years a new level abstraction can be detected in this captivating artistic vision, showing Tygesen's discerningly intuition for colors and the interaction between different surfaces in the creation of incredible composite imagery.

We can't wait for more by this inspirational new discovery! [ Continue reading ]

We discovered the inspirational creations of Berlin- and Tokyo-based olfactory platform AOIRO when they released the ceramic coal dripper set under their HAKUDO label, which comes in an incredible Powlownia wooden box. It was the elegant container that caught our attention in the first place, but what comes in the box, next to the scented woodwick candle that was released in the same series, forms a small but fine collection of remarkably well-balanced scented products. The scent of the HAKUDO line is inspired by the invisible layers of the mountain ground - the earthy and green-velvety moss, the soils that are rich in organic material, and the roots that distribute their lives deep beneath. Its profile offers dark and rich impression, dry and moist temperament with a hint of smokiness in the background.

Recently the German-Japanese brand introduced a perfect addition to the HAKUDO line with a remarkable new container for the scented candle: the Hasami Porcelain Edition. Created out of distinct Japanese Hasami porcelain (from the town of Hasami) the collaboration was formed in the pottery and atelier of porcelain craftsman Kyohei Baba after a visit by AOIRO founders Shizuko Yoshikuni and Manuel Kuschnig. The remarkable new container that resulted out of the dialogue that followed is directly based on the Yunomi cup, traditionally used in Japan to welcome guests and express gratitude when serving tea. An elegant and sophisticated gesture that is easily abandoned nowadays, which became the direct source of inspiration to breath new life into the almost forgotten item and revive the subtle yet contentment in the form of the scented candle. [ Continue reading ]

Sometimes a photographic series perfectly touches on the field that's in between (and overlays) the staged and documentary, creating a complete compelling narrative which transcends the imagery. More than just being individual photographs with the quality of a verb, the combination of the imagery brings a story to life, taking the mind of the spectator into the head of the photographer at the moments when he captured what he saw. Without forcing any reading of meaning onto the spectator. Generally speaking we tend to prefer abstract (landscape) photography within this particular genre. Photographers finding beauty in the ordinary or not so ordinary, which apparently for us seems to be more often non-human (whatever that really means). After 'Tranquility', which we shared earlier, another series with a prominent place for people has become an instant favorite of ours. 'Moroccan Youth' masterfully combines both portrait and landscape photography and keeps fascinating us deeply since the moment we first laid eyes on it.

Paris-based photographer Ilyes Griyeb released the series of his remarkable observations in a nondescript Moroccan town last year, but we discovered it only recently. In all of the photographs there's that sense of hope combined with sadness — a gaze away from the lens, or on the contrary straight into it. A pair of stripped carseats in the sun, a roof filled with numerous satellite dishes bringing in television programmes from all over the world. Even the people who are actually smiling, raise the question in our heads if these young people actually want to be where they are? Are they dreaming of wearing their Louis Vuitton in the place where it originated, riding their dirt bike in a place where it's less dusty, visiting the city where Ilyes himself came from to capture them. Or is that really just our neocolonial conditioning and are they actually happy being the cool kids where they are? Every time the images tell the story different, without it becoming boring. It has captivated us from the moment we laid eyes on these images and will continue to do so. [ Continue reading ]

The new seasonal collections are one by one being released these days, and last week our good friend Olaf Hussein also presented his new set of creations. After opening his first flagship store named 'The Fitting Room' in Amsterdam last year, he continues to push the momentum he has created since the inception of the label forward. The new collection, which clearly shows the familiar minimal design elements in its overall aesthetic, allows its wearer to react and adapt to fast-paced modern life through its use of lightweight nylons, wrinkle resistant suiting fabrics, velcro straps and reversible styles. Turning novelty into a tool to express its themes, Hussein also introduces a range of bolder colors in addition to its signature grayscale palette and adapts the new moniker of “OH!” as branding, in line with current streetwear trends and possibly Acne Studios in particular as a great example of elegant implementation of this form of communication. The most striking new item of the collection is The Fundament Sneaker, the brand’s very first foray into footwear - perfectly complementing the apparel - which is available in black and white.
As has been the case for three seasons now, the majority of the just presented collection is available right away. Online, in the physical store at the Prinsengracht 491 and at the select retailers across the globe who carry the brand.

We love how Olaf relentlessly keeps building his brand and collections. To find out where he stands today, we asked him some questions what the new Spring/Summer 2016 collection means to him and how he sees the future for OLAF HUSSEIN. [ Continue reading ]

Last month, a unique new basketball magazine saw light in Los Angeles, taking a bold position in the extensive existing world of the popular sport full of metrics and predominantly presented through a slick aesthetic. Named FRANCHISE, the beautifully designed magazine approaches the sport strictly from an artistic point of view, having created a raw and diverse visual language far from the usual for their debut issue. The magazine was created by editor-in-chief Justin Montag and creative director Chris Dea, two co-workers up in the Bay Area who both love the sport dearly. During a trip to London, Montag saw how many elegant magazines are being printed in England about football (with the Green Soccer Journal as the prime example, no doubt), which inspired the two Americans to create something similar about the game they love, adding third founder Brock Batten for business development. For the debut issue this resulted in portfolios of UNA Studio’s sharp illustrations, Theophilus Mensah’s beautiful photography of pickup players in Ghana, and NBA Injury R3port’s bizar comics rendered massive. It also features a conversation between Clippers center DeAndre Jordan and the team’s longtime supporter Diplo, as well as a short interview with artist Lauren Fisher, who has created 3D court projections for NBA. The result is by far the most interesting publication on the sport we have ever seen. We don't have much affinity with the sport of basketball, but FRANCHISE might very well inspire some change in that area through its inspirational approach and perspective which we really appreciate. [ Continue reading ]

We first discovered the incredible work of New York City-based artist Landon Metz when he had created the cover for the fourth issue of The White Review in 2012. In the same year we sold his 'Painter Painting Surface' publication in the Another Shop and have ever since followed his development step by step. Looking back four years ago and seeing the recent work Metz created for exhibitions in New York City, Brescia and Milan shows a new direction in his creative vision which we really appreciate. From the very beginning Metz has been creating biomorphic forms splayed across, in the earlier years often times eclectic and overlaying, which slowly moved towards more abstract shapes.

Recently, and especially for the shows in Italy, his flat work has progressed to a new place that remarkably extends and redefines his already significant achievement. In his latest three series Metz isolated forms from earlier works, which he blows up to an epic scale and executes as large-scale monochromes, having irregular stretchers specially fabricated and thinking to an unprecedented degree about their display in relation to the architecture of the exhibition space. For his two recent shows in Italy he even took his forms beyond just the wall and materialized the shapes into sculptures placed on the floor and the ceiling of the exhibition space. The new direction shows the artist' remarkable focus and dedication to investigate the scope and depth of his unique artistic vision, in our eyes putting himself in one league with some of the most interesting abstract artists working today (and in the past for that matter). We can't wait to see where the artist will take this in the near future. [ Continue reading ]

One of the highlights of last month's Salone del Mobile came from renown Munich-based creatives Konstantin Grcic and Mirko Borsche, who presented their one-off shared project named EPOCSODIELAK — a light machine that can turn any room into a raving club. The light and sound installation is the result of a chance creative collaboration between the two renowned German designers, internationally recognized in the product and graphic design fields respectively. Given the ambiguous moniker EPOCSODIELAK, the impressive machine is a 3x2x1 meter, free-standing Disco Totem. Made in black powder coated steel and chainlink fencing, it is equipped with a tight cluster of strobe lights, lasers, a fog machine and mix desks. Powered by a 1200 Watt dynamic sound system, the project proposes a self-sufficient sound/light unit, which has enough whack to turn any space into a state- of-the-art disco. With its design kept to a minimum, through the choices of non-complex industrial materials, next to on the other hand its surprising audio-visual power the machine marries both of Grcic and  Borsche's individual talents to delightfully communicate in an iconic language within their fields of specialism. Both designers create through deliberate minimal touches with maximum effect in their own field and put that together resulted in this mobile disco experience boiled down to its bare essentials, still having maximum impact. We love it!

The installation was first presented by KALEIDOSCOPE and ZEITmagazin on the occasion of Salone, where 400 guests followed the invitation to KALEIDOSCOPE’s project space and celebrated the superlamp with a party that was quoted to be among the favorites of this year's edition in Milan.  [ Continue reading ]