Two weeks ago Amsterdam-based museum Foam presented the first international exhibition of probably one of the most exciting talents on the rise in photography: Jack Davison. We first discovered his work last year when he joined renown agency mini title and through his inspirational collaboration with another great talent from England, artist Joe Cruz, which to our excitement was given a follow up some weeks ago. It is very thrilling to see this first step in a growing international recognition of Davison's great talent, who without a doubt is destined to become a leading name in photography in the years to come. Davison's work shows a diverse range of inspirations that he derived from the historical canon of photography—from Salvador Dali and August Sander, the Flickr community and the Internet in general, to Mark Michaelson’s infamous book, 'Least Wanted: A Century of American Mugshots', next to iconic imagemakers like Richard Avedon, Ernst Hass, Saul Leiter, Irving Penn, and Edward Weston.

As Foam has previously shown the work of many of the icons that inspired him, for the exhibition Davison is moving back and forth between photography’s past and present is an intriguing addition to the context of the photography museum. What you see in the exhibition is that Davison effortlessly employs and appropriates different genres and styles in what seems to be an endless stream of visual consciousness. In our eyes therewith young Davison forms a great hope for a world flooded with mediocre imagery, having grown up right in the middle of this ecosystem, transcending it by looking beyond just Instagram to all the iconic imagemakers of the past and bringing a new excellence into the digital age. Make sure to see the exhibition when in Amsterdam and follow this young photographer, who we believe will become an iconic imagemaker himself in the (near?) future. [ Continue reading ]

In May of last year, Port Magazine founders Dan Crowe and Matt Willey along with explorer Ben Saunders presented an impeccable new title named Avaunt Magazine. It is among the independent magazines which don't just stand out because of its foundational do-it-yourself ethics and fresh creative vision, but als boasting a look and feel which aligns itself with some of the more glossier counterparts. Named Avaunt, a Middle English term based of the Old French word avant (‘to the front’), the magazine is dedicated to adventure in the broadest possible sense. A niche in printed matter on the rise with magazines like Sidetracked and Collective Quarterly being other inspirational names launched in the last few years. For its stories Avaunt will bring the reader endeavours and endurance from the wildest, highest, deepest, coldest and hottest corners of Earth, from respected writers and thinkers, concerning adventures in technology, music, science, style and culture, alongside insights from the pioneers and innovators who are shaping our new world. After two incredible issues having done just that in an utmost elegant manner, we are very happy to finally express our admiration here for the recently launched third issue. Also because the issue features a truly incredible new series by another favorite of ours, photographer Nick Ballon. In the series Ballon photographs Budapest’s Honved Fencing Club with his remarkable photographic eye, being our favorite out of the magazine with overal an inspirational high level of quality, both in its imagery and narrative. Make sure to pick it up somewhere near you. [ Continue reading ]

We've been celebrating the inspirational rugged designs of Los Angeles-based designer Stephen Kenn since the inception of his label about five years ago. While perfecting the fundament he has created with some of the most interesting minimal luxury furniture designs on the market, over the last few years Kenn has kept busy finding interesting creative partners in search of elegant variations of his existing aesthetic design vision. In 2014 he joined forces with fashion designer Simon Miller which resulted in an incredible indigo canvas collection of his sofa and armchair. Last month, on the 21st of April, Stephen Kenn returned with another impressive creative collaboration at the JF Chen gallery in Los Angeles: this time standing shoulder along shoulder with Longjourney menswear founders Alonzo Ester and Alex Carapetian. In their shared project repurposed motorcycle jackets and vintage sweatshirts are getting a second life. The collection includes a pair of black leather armchairs upholstered with panels from motorcycle jackets, and a sofa with a black nickel frame and cushions covered with strips of waxed vintage sweatshirts. Instead of the usual lack of aesthetic relevance of up-cycling projects, this collection truly marries both ethics and beauty, showing what a strong palette Kenn has created for different variations which we one by one really appreciate.   [ Continue reading ]

Two weeks ago a new show by the very talented Vincent Fournier named 'Brasília' opened in one our favorites of Amsterdam: The Ravestijn Gallery. After his super inspirational series 'Post Natural History' was on display in Amsterdam in 2014, the French photographic artist returns with a series taken from a totally different perspective and taken in a dissimilar arena. As the name of the exhibition suggest, the series focusses on the Brazilian capital Brasília, which is a one of a kind city composed of reinforced concrete, a paragon of the tenets of modernist architecture and city planning. Enfolded by the artificial Paranoá Lake, the city fashions a curious structural plane; a grid-like formula of post- war modernism arranged into a light curve. Brasília was constructed in the late 50’s from scratch according to the blueprints by the urban planner Lucío Costa, landscape designer Roberto Burle Marx and the architect Oscar Niemeyer. The three designers proposed a set of speculative opportunities for the future of architectural utopia; future, that some sixty years later has lost itself somewhere in the murky water between the past and present. A far cry from the buzzing city streets of Rio and São Paulo, Brasília is a plateau mostly of purpose-built bureaucratic and governmental settings. The austerity of modernist architecture lends itself to Vincent Fournier’s photography series that bear the name of the concrete capital. The result is a aesthetically captivating, perfectly stylized and emotionally haunting series, feeling like stills from a David Lynch film, showing the artificial city from a remarkably constructed perspective. Make sure to see it when in Amsterdam before the 28th of May! [ Continue reading ]

Last month, iconic Californian streetwear brand Stüssy presented its 7th seasonal Biannual — the magazine that celebrates the new upcoming collection. Where initially it stopped at being only that, over the years it has grown into a standalone publication in which the whole context around the brand is shared rather than just focusing on its own products and stories. It changed radically with Vol - 6, when the very talented Ryan Willms (of the recently stopped Inventory Magazine) took over as the editor of the magazine. Next to a new framework for the scope of the content, Willms' vision also included a new aesthetic for the publication to communicate the new ambitions for the Biannual. All of these elements put together makes the just released Vol - 7 a wonderful standout, the best they have put out so far, promising a lot for the future.

On the pages of the magazine its reader is taken to the island of Jamaica, which has been an inspiration for the brand from the very start through its rich culture, music and grounded lifestyle. On the island, photographer Tyrone Lebon shot his fourth series for Stüssy —very likely his best— exploring Jamaica’s great variety, spending time between Port Antonio and Kingston. Immersed into the Rasta, Reggae and Dancehall cultures of the island, the images convey an honest and exciting perspective of the country. Also dancehall superstar Popcaan is represented on the pages of the magazine. Next to these stories one will find enfant terrible and Bianca Chandôn mastermind Alex Olson, publisher Tom Adler (California Surfing and Climbing in the Fifties!), collage artist Tomoo Gokita, fashion designer Daiki Suzuki, and Hoffman Fabrics, alongside features photographed by James W. Mataitis Bailey, Antosh Cimoszko and Joyce Sze NG in the magazine.

To learn a little more on the interesting new creative direction for the Biannual we connected with Ryan, who in turn gave the word to the brand's in-house designer Chris Glickman, who was kind enough to answer some questions from us right before he took a trip to Japan. [ Continue reading ]

Dutch artist Iris van Dongen, who was born in Tilburg but lives and works in Berlin, has grown into a respected name in the art world in the last years. In 2014 she was commissioned to create an official portrait of the Dutch King and her work has been exhibited worldwide. A remarkable new series of work travelled to Paris two weeks ago, where on the 14th of April a new solo exhibition at her gallery Bugada & Cargnel opened for the public. With the exhibition named 'The Hunter from Noland', van Dongen presents a series of new drawings mixing gouache, soft pastel and pressed charcoal, and in which the artist recomposes elements from different styles and cultures, from Art nouveau to Asiatic art. The exhibition displays works that, although entirely autonomous, are part of a whole, a fragmented fresco, a story that unfolds on several levels of interpretation. Representing landscapes, characters and a suspended temporality, these new productions are like contemporary vanitases, in which the protagonists are the for the painter familiar young ghostly women. With their slender arms, and dressed in colorful, printed kimonos, these female figures remind of Indonesian Wayang dolls and the iconic work of Gustave Klimt and emphasis the incredible artistic vision of the highly gifted Dutch artist. We love the new influences in van Dongen's pieces and can't wait to visit Paris and see and experience her new captivating works in person. [ Continue reading ]

Released as a publication in 2014 by publisher Lecturis, Finnish photographer Heikki Kaski's incredible 'Tranquility' series continues to travel the world. Last week the series came from Brussels to London as part of the Foam Talent exhibition at Beaconsfield Gallery, and subsequently it will find its way to Riga. No suprise there by the way, as it is still some of our favorite photographic work which we've encountered recently, moving between the fields of documentary and landscape photography, full of mysticism and narrative, in line with names like Wim Wenders and Todd Hido. The story of the series revolves around its slightly captious moniker: the Californian town of Tranquility, which Kaski visited repeatedly over the course of one and half year. The town exists on a new kind of frontier, which is geographical, but also historical, marking the seeming obsolescence of established forms of production and social organization. Heikki Kaski’s pictures of the town and its inhabitants are a fractured series of reflections on a landscape that seems to have outlived its own history. He does not offer a factual narrative about the specifics of this place, which is treated instead as the archetype of a particular situation, joining subjective experience to economic realities. This is an acknowledgement of the fundamental link that exists between the social order and the lives of those who exist within it. Kaski creates a distinct, palpably uneasy atmosphere, marked by the use of several, and often clashing, visual strategies to demonstrate the unresolved tensions that have come to define not only the place itself, but also evoke the inner lives of those people who call it home. [ Continue reading ]