Tomorrow the 2016 edition of the Unseen Photo Fair will open its doors for the public at the Westergasfabriek in Amsterdam and it promises to be another celebration of photography, with work from all over the globe having found its way to the Dutch capital again. Although we weren't blown away by what saw in the former two editions, there will be always (we hope) those hidden gems to be discovered amidst the more repetitive imagery on display. Returning Antwerp-based gallery IBASHO is one of the participants we really appreciate.

Last year the gallery was a newcomer on Unseen (after they had just started their operation on the edge of the Antwerp-South area) and this year it brings a debuting photographer to Amsterdam, which we feel is one of those few great new talents to be discovered. With its focus on contemporary Japanese photography, during their first presence at Unseen Photo Fair IBASHO presented, amongst others, the iconic 'Tokyo Parrots' by the great Yoshinori Muzutani in Amsterdam, this time around it introduces the incredible series 'Invisible Machinery' by the very talented Toru Ukai. The Tokyo-based photographer is interested in the hidden and invisible structure in our modern society, which he has given the moniker invisible machinery, portrayed in his ongoing series to be seen at Unseen. Ukai observes the structure in the social systems, the law and the architecture, but also in the behavior of people; gestures and figures — captured in sharp and cold tones, with a distinct digital feel, proving to be a perfect fit for the science fiction-like arena which is urban Japan. Having such an interesting signature, perfectly fitting the narrative of his unique perspective on the world around him, makes us eagerly look forward where Ukai will take his beautiful photography in the years to come..

When visiting Unseen Photo Fair in the coming days, make sure to not skip IBASHO's booth and enjoy the work by the incredible new talent! [ Continue reading ]

Running for only a few more days, (so when around New York City make sure to still catch it!) 'The Keeper' is an inspirational and remarkably designed exhibition dedicated to the act of preserving objects, artworks, images and to the passions that inspire this undertaking — which makes it for us, as avid collectors and collection lovers, a must visit. The curation that's on display in the New York City-based New Museum forms a reflection on the impulse to save both the most precious and the apparently valueless, bringing together a variety of imaginary museums, personal collections, and unusual assemblages, revealing the devotion with which artists, collectors, scholars, and hoarders have created sanctuaries for endangered images and artifacts. In surveying varied techniques of display, the exhibition also reflects on the function and responsibility of museums within multiple economies of desire. The eye catcher of the exhibition is 'Partners (The Teddy Bear Project)' (2002), a vast display conceived by Ydessa Hendeles. Composed of over 3000 family-album photographs of people posing with teddy bears, and vitrines containing antique teddy bears, Hendeles’s project establishes the teddy bear as a metaphor for the consolatory power of artworks and images and underscores the symbiotic relationship that ties people to their objects of affection.

Subsequently, through a selection of studies and portraits that spans the twentieth century, the exhibition tells the stories of various individuals through the objects they chose to safeguard, exposing the diverse motivations that inspired them to endow both great and mundane things with exceptional significance. As responses to loss, chronicles of experience, subjective quests, and archives for the future, the unusual collections and personal museums that are presented range from staggeringly maximalist efforts to modest struggles charged with urgency. [ Continue reading ]

Feeling like the perfect hybrid of the figurative, finer, work of Dutch illustrator and artist Jordy van den Nieuwendijk mixed with the abstract strokes of Moroccan-French artist Najia Mehadji, but instead of paper or canvas put on display in the most impactful majestic size of murals — we really appreciate the work of Los Angeles-based visual artist Erin D. Garcia, who's been creating some of his most impressive projects over the course of the last three years. Erin’s geometric abstractions derive from a mother structure of stacked blocks and volumes rendered in a series of colors. He deconstructs this architecture of color into a simpler lexicon of lines, arches, and curves in an ongoing search of other primary structures, which he names elements.

Effortless in appearance, his work is a calculated process of designating, defining, arranging, and permuting elements and colors with algorithmic thoroughness. Lines that edge triangles appear completed, but upon closer look, are actually disconnected and superimposed with unmet corners. When applied directly in the public sphere, as Erin has been doing frequently in recent years, a new dynamic is added to those inherent qualities that make up his elements, both from the (sharp-lined and edged) buildings, but more so the context that lays around them. It results in the most playful and powerful display of Erin's talent, empowered directly by what has inspired its aesthetic in the first place: the beauty and color palette of the Californian sunshine. [ Continue reading ]

After (seemingly) slowly fading away over the course of this month, Summer has found its way back to The Netherlands again in the last few days. With the temperature back at around 30°C, it feels like the perfect time to share another very inspirational (sun blazing!) ongoing photographic series named 'On The Periphery' by Sinziana Velicescu, which we originally discovered a while ago, but came back to our attention when a new selection was on display at AIA|LA gallery in July. The very talented Los Angeles-based photographer has made a name for herself in the last five years, soon after graduating from the University of Southern California with a Bachelor in Comparative Literature and Film, with her steady high quality output being picked up worldwide ever since — both in exhibitions and publications. Throughout her entire catalogue there is a clear signature to be observed; working predominantly in natural (sun)light, always finding those colorful abstract crops in the seemingly ordinary to create a captivating image, all captured directly in the world around her (oftenly Los Angeles, as the case with 'On The Periphery').

In a time in which 'Instagram-friendly' photography (which Velicescu's work clearly is: make sure to follow here) sometimes gets confused with 'made for Instagram', the genre one could categorize her work in might be de facto an ever-growing field with too much (just our humble opinion) mediocre imagery with no real substance beyond the depiction — Velicescu proves with every series that she truly is part of the highly talented periphery of photographers, never failing to succeed in finding those fragmentations of the ordinary that both please the eye and evoke the question what narrative lays underneath that single frame.

We can't wait for more observations from Velicescu's own private Los Angeles... [ Continue reading ]

In April of this year cultural anthropologist and graphic design historian Jim Heimann, together with his regular collaborator; editor and archivist Ryan Mungia, presented one of our favorite printed projects which were released in 2016. The incredible 'Shore Leave' is the first photobook to capture Honolulu during the Second World War through a remarkably curated collection of vintage photographs, a lot of them found in personal scrapbooks of veterans, which were collected by Heimann over years and now made public through Mungia's Boyo Press.

It portrays the thousands of US sailors bound for the Pacific during the early 1940's, in a period when the Hawaiian Islands were the staging ground for an unknown fate. Their perception of Honolulu as a tropical paradise quickly deflated upon their arrival. The anticipation of a moonlit Diamond Head, available hula girls and free-flowing and affordable rum quickly materialized into crowded streets, beaches cordoned off with barbed wire and endless lines to nowhere. Still, as with many ports of call, diversions were plentiful, and set against the warm trade winds, sailors took advantage of them on their last stop to hell. A totally unique place and time, which shows throughout the images selected by Mungia and Heimann.

Binding all these insightful photographs together in the book creates a truly unique insight, elegantly designed moreover, 'Shore Leave' is one of the most captivating books we have discovered this year.
It is a one-of-a-kind visual document of a port that, for many sailors who passed through, was their initiation into manhood. [ Continue reading ]

The last time we were excited about a speaker lays some years behind us, but last week a new piece of elegantly designed technology was presented to the world, which we really appreciate. Beside the Unmonday Model 4.3 in 2014, which had a more sturdy (heritage-like) design, Danish technology frontrunners Bang & Olufsen first hit the right nerve with us when they released three new additions to their BeoLap series in 2013, of which —to this very moment— the subwoofer still forms one of the most elegant creations in its sort. Last week, Bang & Olufsen returned once again with a new release, this time with a series of (one of the two wireless) speakers named the BeoSound 1 and BeoSound 2; being one of those scarce moments in which an applied technological object truly rises beyond its pragmatic function and aesthetic discours into something excitingly new.

The futuristically sturdy (for instance perfectly fitting recently created interiors like Voyager Espresso or the redesigned Siam Discovery — hopefully indicating a new trend in design which we really appreciate), yet elegant aluminum design profile of ‘BeoSound 1′ and ‘2’ forms a promising new chapter and remarkable step forward in its field. Through its conic shape they can be placed anywhere, allowing the remarkable, sculptural forms to be very much part of the interior: on a shelf, floor, by the coffee table or even outdoors. The iconic bodies hover slightly above the ground, letting the thumps of the bass units out beneath. They are slightly open at the top for acoustical reasons, but apart from that with a uniform expression on the aluminum surface.

With function also on the highest level, as with all B&O's creations, we are super inspired by how a totally new silhouette was created, paving a incredible new path in speaker design very likely to be followed by many in the years to come. [ Continue reading ]

We have said it here before and will say it again — with fashion, particularly menswear, currently being dominated by a search for hype instead of innovative ideas, many new brands are still started every week, but less and less are really adding something to the field. When the Paris-based OAMC —which houses its atelier in Milano and produces in Italy, Portugal and Japan— launched in 2013, they approached it by intrinsically staying away from the dominant trends; refusing prominent branding and basically starting an ongoing quest to produce iconic menswear items created from the juxtapositioning of existing ideas combined with innovative touches. Primarily focussing on the marriage of utility wear with traditional luxury elements resulting in an aesthetic truly fit for the future.

Interestingly so, branding was an integral part of OAMC's creative director Luke Meier's earlier life, having worked as the head designer for Supreme before starting the brand that was originally known as Over All Master Cloth and later just as the acronym. Meier's years at Supreme, being the brand that played the undeniable pinnacle role in the revival of brand marketing in the last 15 years, didn't prove to be much of a restraint for the succes of his new, very different and much complexer, creative outlet. In just three short years, OAMC has become one the brands to watch by leading the way. Steadily solidifying its place alongside menswear fashion houses with similar ambitions such Dries Van Noten, Thom Browne and Lanvin. Earlier this year, it was also nominated for the prestigious 2016 ANDAM Grand Prix award, underlining the appreciation of the display of intrinsic creativity that drives the brand forward.

This Summer the brand presented its Spring/Summer 2017 collection in Paris, but we want to take another look at the super impressive Autumn/Winter 2016 that's in the racks of its the numerous woldwide stockist at this very moment. [ Continue reading ]