We really look forward to the end of the year when on the 18th of November a very interesting new exhibition on bicycles will open in the London-based Design Museum. Inspired by the new found interest in bicycles and cycling in Britain, which started somewhere in the beginning of this century, the museum felt the urge to focus on the craftsman bicycle makers, who tailor machines to the precise specifications of their users. Cycling has grown into a passion of many, having become a part of their identity - be it as a stylish way to get from A to B or as a fiercely competitive sport. Which will all be represented in the exhibition named 'Cycle Revolution': bringing together bicycles, clothing, accessories, equipment, film and photography to tell the powerful, personal and sometimes remarkable stories of cyclists and the machines that move them. We can't wait to visit! [ Continue reading ]
We have been following the very talented Japanese designer Yusuke Seki for a while now and his latest project really took it to the next level. In April of this year Seki finished the new flagship store of Maruhiro - the leading producer of Hasami ceramics - in Nagasaki from an extraordinary vision. The designer’s work marries an architectural knowledge with the artisanal know-how of the region, and in so doing, creating an entirely location- and situation-specific experience with an extraordinary autonomous feel rather than that of a store. Seki's methods seek to amplify Hasami’s rich heritage. His minimal, yet immersive design interference; the modification in the level of the floor, not only utilizes the pre-existing space to alter the perspective and experiences held by the users until the present, but also gives birth to an entirely new sense of flow within ceramics. So inspirational! [ Continue reading ]
On the 15th of July the London-based White Cube opened an exhibition of fascinating new work by Marc Quinn. The show named ‘The Toxic Sublime’ includes two new bodies of work and is the culmination of two years of investigation by the artist into natural phenomena and our distanced and complex relationship with the environment. These works after which the show was named are distorted, three-dimensional seascapes that blur the boundaries between painting and sculpture. Next to these works, a new series of highly extraordinary sculptures - minimal arcs in stainless steel - including one measuring over a staggering 7 meter long titled ‘Frozen Waves’ are on display. These super impressive, primal and gestural shapes originate from the remnants of shells, eroded by the endless action of the waves. In the moment before they disappear and become sand, all conch shells end up in a similar form – an arch that looks like a wave, as though an unwitting self-portrait by nature. [ Continue reading ]
Although the current summer in The Netherlands granted us a fair share of sunshine already, like every year in the lowlands we can't get away from a hefty rain shower now and then. The field of elegant choices when it comes to rainwear for these kind of days has expanded significantly over the last few years and Copenhagen-based RAINS has been one of the brands in that field which we have been following since it was founded in 2012. The new Autumn/Winter 2015 collection shows everything what the brand has been setting apart since it arrived: understated sophistication and technical fabrication, sharp cut modern raincoats in different lengths and colors and an extraordinary 100% waterproof bag collection - which we particularly appreciate. [ Continue reading ]
With our perfect trip to the West Coast coming to an end we take a look on the other side of the United States, where located in the heart of Dutch Kills, an emerging area in Long Island City - which borders the famous Astoria neighborhood - the beautiful Boro Hotel has just opened its doors. The new hotel is the first design centric boutique property in the rapidly evolving neighborhood. Designed by design firm Grzywinski+Pons, the hotel’s 108 guestrooms, studios and public spaces offer a fresh perspective by blending modern, minimalist interiors with the structure’s original concrete and cinderblock bones. Thoughtful touches infuse warmth into the space to create an appealing environment, including hand scraped oak floors, painted pallet wood paneling, and design elements that incorporate leather, cork and sisal materials. With as a result: a both modern yet elegant choice for our next trip to the Big Apple. [ Continue reading ]
On the 27th of June a beautiful new art project opened in the heart of Amsterdam. 'The Garden Which is the Nearest to God' is the first creation in the Netherlands by the renowned Japanese artist Taturo Atzu, who was invited to create a structure for the historic weather vane and the small roof turret of the Oude Kerk, located in the red light district of the capital. Atzu's project links the monumental 13th century church - the oldest building in the city - to its recent incarnation as Amsterdam's newest cultural institution. He gives the weather vane an update by re-imagining it in a fully furnished, modern living room. Interpreting contemporary Dutch interiors, the décor features a table, chairs, and above the sofa a classical print from the church collection. The Japanese artist brings the spectator closer to the experience of wonderment as we make our metaphoric journey on high – climbing the 156 steps to the 300 m² open space above – to a fictional living room and the built-in seating area around the clock tower. Make sure to visit the Oude Kerk and enjoy the extraordinary project before it is gone. [ Continue reading ]
Last month, we were introduced to the London-based collective of bartenders named Drink Factory, which aims to expand their shared creativity and knowledge of cocktails. Founded some 10 years ago by cocktail master Tony Conigliaro, Drink Factory released its first printed publication with their unique vision on the fascinating craft of creating cocktails in 2014 under the theme 'Gothic', resulting in a dark and brooding issue. A month ago the second issue saw light and this time a lot more color is added to the palette, with everything resolving around 'Silent Neon Flowers'. The underlaying concept is 'silent flavor', which resulted in botanical editorials by photographers Addie Chin, Ollie Harrop and Ruth Vatcher, translating the idea into their images, forming a stand out visual language for the magazine which places the subject in a truly unique light. For us, having found the extraordinary Drink Factory, all kinds of doors into the enormous world of cocktails are being opened, in which the new magazine forms an inspirational and insightful starting point for more exploration. [ Continue reading ]