Although the official run of the exhibition ended last week, the highly inspirational show named 'FERNWEH' presenting the latest works by the Berlin-based Dutch artist Aldo van den Broek, continues to be open by appointment at the Amsterdam-based Galerie Ron Mandos until the 20th of August. Giving those who have missed it a last chance to see, what we feel is one of the most interesting exhibitions of the Summer to be found in Amsterdam. Recurring themes in all of Aldo van den Broek's dark and mesmerizing work are history, underground, punk and romanticism. His creations characterize the world where he lets architecture and people meet. He is fascinated by the urge of people to strive for safety and freedom simultaneously and the deconstruction that usually follows. Travels and experiences bring valuable inspiration to his work. His researches brought him to Berlin, where he has been living since 2010, but also the post-communistic suburbs of Belgrade and Tbilisi.
Aldo’s work reflects his interpretation of purity and beauty within ugliness. Therefore, he choses to work with wasted materials with no apparent value. Used and re-used by himself, or found on the streets and abandoned places. By literally using his own past failures as a beginning for his new works, these different themes are constantly transforming and melting together till they reach their final appearance. [ Continue reading ]

We are catching on at the very last moment, but the super exciting second Canadian exhibition of work by 'The Godfather of Japanese Eroticism' Toshio Saeki will run for one more day at the Toronto-based Narwhal gallery. Presented in the successor of the 2014 debut exhibition of Saeki's work, which took place in the same location, are original ink drawings from 1972 to the present, including three new original drawings exclusively for this exhibition. As part of the exhibition Saeki has recreated one of his most famous scenes and recolored it to create 'Ureshidaruma', an edition of 100 silkscreen prints available only through Narwhal (and online here). Saeki’s artwork draws from the basement of a collective subconscious, depicting universal taboos through surreal narratives and dark humor. Filtering imagery from his photographic memory and childhood experiences through imagination and dreams, Saeki splits open a universally erotic world where iconic characters subject themselves to grotesque behaviors staged within traditional Japanese environments. [ Continue reading ]

Following the release of his remarkable 'Courts 01' in 2012, today New York-based photographer Ward Roberts presents his second printed chapter, named conveniently 'Courts 02', of the ongoing photographic study documenting sporting courts at the Arcana in Culver City, California, after it already has been open for purchase online for the last couple of days. Initially aiming to document Hong Kong's car parks when he started with the series back in 2007, Roberts found a deeper connection with the city's basketball courts and switched his focus to these colorful spaces instead. He noticed that many of the most multicolored courts were located beside low-income apartment buildings, and used these as landmarks to track down the hidden spaces. After publishing 'Courts 01', Roberts continued his search while on travels to Bermuda, Hawaii, New York and Melbourne.  In these locations, he also found the sports grounds that never cease to fascinate him, enhancing his captivating collection of images with interesting new chapters. The result in 'Courts 02' is yet another series of immaculately captured public spaces, in Roberts' signature toned down color palette, finding highly aesthetically fragmentations of these ordinary areas of play, which we can't take our eyes from.
As all iconic images inevitably do, Ward Roberts’s courts have now become a force of their own, circulating the world with terrific velocity via the rushing slipstream of the internet, gathering momentum and making their mark upon the global eye. [...] His art is so powerful: he gives life to the spaces of photography, and photography to the spaces of life. [ Continue reading ]

Last month marked the release of already the ninth issue of the inspirational The Plant Journal. Full of flowers this time around, it honors one in particular — not the most trendy flower, but definitely a classic of some sort; the geranium. Seamlessly fitting the changing weather of the last weeks (at least in The Netherlands and Belgium), the magazine celebrates the summer, which for instance also perfectly matches life like artist Roberto Burle Marx, one of the protagonists of the issue. Legendary German illustrator and artist Tomi Ungerer shares his beloved piece of land in Ireland while Elein Fleiss shows her knowledge on herbs and Antoni Arola details his passion for seeds. Kuba Ryniewicz focusses on Conrwall’s mighty marine flora, Mark Borthwick the lush of Jamaica. Formafantasma and Ethel Baraona meditate about the meaning of borders and Mercedes Villalba explores desire paths. Furthermore, one learns about the linen process, how to preserve dandelions into paperweights and the tastiest ice-cream recipes by Kitty Travers.

In all, the new inspirational issue is packed with some of the most beautiful flowers one finds on this earth, captured by talented people like Brian Kanagaki, the always great Scheltens & Abbesses and one of our favorite photographers around; Yoshinori Mizutani, who captured the park life in London like only he can, as is also portrayed on maybe the most beautiful cover created for the magazine. Yet, there is one series, even above Mizutani's, which is our clear favorite, coming from two Belgian inspirators in their particular field: the collaboration between photographer Frederik Vercruysse, who teamed up with stylist Clarisse Demory and no less than flower grandmaster Mark Colle, for a series of bouquets in which they honor six deceased pop cultural icons (Whitney Houston, Kurt Cobain, Michael Jackson. Minnie Riperton, Nina Simone and David Bowie) in bespoke arrangements and settings created for these individuals.  [ Continue reading ]

We are big fans of the very gifted Austrian artist and illustrator Stefan Zsaitsits. Having an extraordinary strong signature running through all his work, the artist who's still based in his country of birth, creates captivating dark pencil drawings of mostly childlike figures in which he oftenly seems to hybridize particular thoughts and emotions directly on or with the body part which is involved. The highly delicate and at times slightly repulsive raw images evoke a sense of unsettlement, although there is also great beauty to be found even in the smallest details, sometimes under a layers of scratched pencil marks — underscoring the many, at times literally, layers one finds in his thought-provoking creations. As of recently he has moved beyond just the pencil (after having worked with paint some years ago too) and in his latest works color —mostly a blood colored red— is thoughtfully applied, creating another level of depth in his depictions. A collection of these latest works open for the public today, in the Salzburg-based Galerie Trapp, where Zsaitsits presents his newest creations in an exhibition named 'Zwischen Luv und Lee'.  [ Continue reading ]

In October of last year a new ambitious independent arts and culture magazine named ALL—IN saw light, which we unfortunately missed at that time. No doubt because the arrival of new magazines hasn't really slowed down in a period which has "print is dead" written all over its digital face. And despite, one has to say, the fact that the magazine introduced itself to the world with an unusual high profile cover interview with powerhouse actor Willem Dafoe. Founders Benjamin Barron and Allison Littrell, who have met while studying at the prestigious Bard College, take their project very serious. Next to the interview with Dafou, who was shot by Alex Da Corte, contributors to the first issue are names like Benjamin's mother; Jeannette Montgomery Barron, but also John Waters, Bernadette Corporation, Cory Arcangel, and pop superstar Dev Hynes. By now the first issue's 1000 prints and practically sold out and last month Barron and Littrel presented their upcoming 176 pages second issue (which will drop in August) for online pre-order with a party in the Boom Boom Room in New York.

Following Willem Dafoe's playful cover, this time around the magazine has two covers: featuring no less than enfant terrible Harmony Korine and actress and activist Amandla Stenberg — two perfect subjects to represent these times of turmoil in the United States (and far beyond). The noble motive behind this second issue is no less than bringing people together. A message which is never placed in the foreground, but is clearly distillable from the choice of subjects and the stories that are told about them. In his interview Harmony Korine talks with Marfa Journal about selling out, always being the best Harmony, and how to balance success and sensitivity. Actress and activist Amandla Stenberg opens up to her friend Emmanuel Olunkwa about authenticity, celebrity, and owning your identity; Amandla also discusses what it means to be an activist in her exclusive essay, 'Authenticity Activism'. [ Continue reading ]

At the moment we are immersing ourselves in the world of elegant sportswear for an extremely exciting new project we are working on (which we will elaborate on whenever we can in the near future). One of the highly inspirational brands we have encountered along this research is the South Korean brand IISE [translates to second generation], founded by Terrence and Kevin Kim, two second-generation Korean-American brothers who were so inspired by their cultural roots that they decided to create a brand founded on them. Debuting in 2015 with a full collection, given the moniker 001, the brand had been producing naturally-died bags and accessories since 2013. It introduced its 002 collection two months ago, with a lot more to come in the coming months.

The new direction for IISE was received with open arms by the streetwear media ecosystem, gathering both both on- and offline widespread media attention, ensuring a quick worldwide introduction of the brand's new ambitious move into clothing. The designs by Terrence and Kevin marry the Far East with the West and are constructed from a hybrid of both traditional Korean and modern materials, such as the “mu-myung” and “guangmok” fabrics that are naturally-dyed cottons of Korea’s traditional garb. Reinterpreting these iconic textiles into a sportswear inspired vision, the unique cottons are integrated into the garments along with premium materials such as leather, raw silk fleck and nylon twill. Beyond just the interesting fabrics used, the brothers succeed in implementing graphic elements inspired by Korean woodwork throughout the collection and completing their creations with its elegant roomy and cropped cuts. For us IISE makes some of the most inspirational sportswear-inspired clothing available today. [ Continue reading ]