Yesterday during Tokyo Designers Week designer Ronan Bouroullec and Japanese architect Kengo Kuma presented their collaboration for the East Japan Project which the latter started after the Fukushina disaster in 2011. The inspirational project aims to get the artisans of the region back on their feet by creating lifestyle products that are manufactured by the local craftsmen. One of those traditional objects combining aesthetics with craftsmanship are kokeshi dolls, which we’ve been collection for quite some years now. Inspired by the extraordinary dolls Ronan and his brother Erwan Bouroullec designed a series of kokeshi dolls which are exclusively produced for the East Japan Project. The Bouroullec brother’s interpretation moved away for the super enlarged head and has a more human shape, with its torso separated in two elements, connected by a hinge which allows them to bend at the hip area, resulting in a more modern, moveable, but nevertheless familiar kokeshi doll. Such an elegant interpretation of one of our favorite Japanese traditional objects. [ Continue reading ]

The inspirational Torino-based art collective Nucleo, which is directed by Piergiorgio Robino, recently collaborated for the second time with Gabrielle Ammann Gallery for PAD 2014, the fair for 20th century art and design. With these last amazing creations by Nucleo, which were exclusively produced for the gallery, they explored the the symbiosis of wood and resin, while the new pieces also incorporate references to stone and metal fossils, resulting in the Nucleo's representative blend of opposites; old and new, light and heavy, lost and strong and arousing the law of gravity and in their unique aesthetic which combines a highly futuristic sentiment with elementary organic forms. Stunning! [ Continue reading ]

We really like the new Australia-based headwear brand named Past Present, which was launched this summer in July, and is inspired by the name itself, merging the old school dapper of the past with the present day modern man. Pair that with the relaxed culture of its city of origin, Perth and you are left with an effortless range of premium headwear. Past Present’s first collection was a selection of five and six panel caps, focusing on quality materials and details. The materials used are a mixture of tweeds and wool sourced from Ireland and produced in New Zealand. Finding a common interest in quality and old school style, Past Present also collaborated with the famous Ebbets Field to create a six panel ballcap to help debut their first collection which shows great promise for the years to come. [ Continue reading ]

We are blown away by this extraordinary ready-to-wear collection by the Dutch designer Iris van Herpen, which she presented in Paris on September 30th of this year. For the collection van Herpen found inspiration in a visit to CERN's Large Hadron Collider, whose deadly magnetic field exceeds that of earth’s by 20.000 times, forming the essential spark and motif for the collection which she named Magnetic Motion. The designer, who often joins forces with like-minded artists from other fields then fashion collaborated with Canadian architect Philip Beesley and Dutch artist Jolan van de Wiel, which resulted in a dream team for the exploration of the boundaries between nature and technology and a simply stunning collection. [ Continue reading ]

Flowers are associated with all the major events in life, whether celebratory or commemorative, but they also color our everyday existence and enliven the spaces around us. The extraordinary 'Floral Contemporary: The Renaissance of Flower Design' by the very inspirational curator Olivier Dupon and published by Thames & Hudson, gives an amazing overview and wide array of options how to implement flowers within all those occasions. Through the work of 38 floral designers, flowers for every occasion are presented in an utmost elegant manner; whether public decorations for weddings, arrangements for banquets, installations for shops and hotels, accessories for fashion shows, exhibits for art shows or private, in the form of simple but special displays for the home: which resulted in one of the most beautifully curated and designed books on the beauty of flowers we have seen. [ Continue reading ]

All of the incredibly talented Ashkan Honarvar’s art deals with the darker sides of the human mind through the undeniable and unavoidable beauty of the human body. The universal human body, used as tool for seeking identity, is the focal point of his work. By dissecting and rearranging images with careful aesthetic vision, Honarvar creates work with an intriguing macabre darkness. Since his graduation from the Art School in our hometown Utrecht in 2007 Ashkan has been making a name for himself with his utmost fascinating collages. Themes like colonialism, war, mass destruction, megalomania and other grotesque behavior are all observable in his progressively growing body of work. We can't get enough of his enthralling collages and love how the artist combines the abject with the aesthetic, creating images one can't stop looking at. Being very inspired by Ashkan's vision we asked him a couple questions to find out what inspires a highly unique mind like his. [ Continue reading ]

Running for one more week in the Los Angeles-based Little Big Man Gallery: the extraordinary show named 'All In – Buying Into the Drug Trade’ by British photographer Graham MacIndoe, his first solo exhibition in the USA. Each image from the show is a variation on a single object: a small glassine heroin bag stamped with an exotic or bleakly satirical brand name, all collected by MacIndoe when he was an addict. Enterprising dealers brand and market their product like entrepreneurs in any business, with references to popular culture: Twilight, Crooklyn, New Jack City, and nods to consumer aspirations: First Class, Rolex, Obsession. The logos stamped on the baggies range from the conceptually clever to the knowingly ominous, like Dead Medicine paired with a skull and crossbones. MacIndoe’s own obsessive nature – as a photographer and a recovering addict – underscores the repetition of the images, all perfectly lit and precisely composed. But the now empty baggies are devoid of the emotional chaos of addiction; the photos are clinical and detached, almost aestheticized, yet still carry the residue of a former life in their stains and ragged edges. [ Continue reading ]