Recently we stumbled upon the truly magnificent work of Los Angeles-based photographer Lauren Marsolier. The French-born creates extraordinary images that are convincingly real using multiple photographs, unrelated fragments of the outside world collected over time in a variety of locations. Months or years often separate the capture of elements juxtaposed in her landscapes; a technique reminiscent of the art of painting. Her work probes the mental process of transition – hence its moniker – a particular phase when our parameters of perception shift, when we suddenly don’t see ourselves, our environment, or our life quite the same way we used to. These transitional periods often feel like being in a place one knows, but can’t quite identify. We can’t stop gazing at these remarkable photographs, which seem to tell deep stories of solitude and show a clinical beauty which feels both surreal and keeps haunting us.
Located somewhere between fiction and reality, her images represent a mental landscape affected by a world of constant change. They show an unreality become manifest, transitional non-places where human action and inhabitation are recorded in strange antitheses of nature and artifice, or, better still, artificial nature and natural artifice.
Lauren Marsolier lives and works in Los Angeles. She is the recipient of many awards and her images have been published internationally in such magazines as the British Journal of Photography where she was featured as one of ‘20 photographers to watch in 2013’. Her work was included in the ’31 Women in Art Photography’ 2012 selection by the Humble Art Foundation in NYC, ‘Looking at the Land’ at the RISD Museum of Art and also in the major 2013 London Exhibition ‘Landmark: The Fields of Photography’, curated by William Ewing at the Somerset House.
‘Transition’ was exhibited at Galerie Richard in Paris Nov 29, 2014 – Jan 10, 2015 and Galerie Richard in New York in April 2015. It will travel to Robert Koch Gallery in San Francisco during the Winter of 2015.
For more information see here.