Slow

Inspirations — Raymond Lemstra

The Amsterdam-based Raymond Lemstra has been one of our favorite Dutch artists for some years now. The creatures he creates (mostly drawn) show his interest in distortion as a result of selective emphasis; parts of interest are emphasized, unimportant parts reduced or left out. His distinct characters therefore often come out big headed, with focus on the faces and the body trimmed to its essential properties, all marked with his personal style, tough often very different in specific form. As he has stated on his vision and aesthetic: "The contrast between my naive and at the same time sophisticated approach to my work gives it a somewhat awkward taste. It is a clash of intent, simultaneously assuming simplicity and complexity, randomness and reason, flaws and perfection." We've been following Raymond since the very beginning of Another Something & Co and feel extremely grateful to have collaborated with him during the first Our Current Obsessions. Having been this inspired by his work for all this time, we now ask him about his inspirations. [ Continue reading ]

Double Space

During last year's London Design Festival, in the second collaboration with BMW group, British design duo Jay Osgerby & Edward Barbar created this incredible bespoke installation, the largest structure that they have ever created, for the annual event. The project named ‘Double Space' – Precision & Poetry of Motion— was an immersive experience constructed within the V&A museum‘s prestigious Raphael gallery that combines technical precision with poetic semantics. It was the British creatives’ intention to interpret the leitmotif of BMW’s design philosophy, ‘precision and poetry’, bringing forth an all-encompassing piece that merged technology and sensuality into a single experience. The kinetic installation is composed of two large reflectors, each composed of one flat wall of mirror and one curved surface, hovering over the 600 m² space where Raphael’s famous cartoons for his Sistine Chapel tapestries hang. The two shimmering volumes (each measuring 15 x 10 meters each) revolving on their own axis, either simultaneously or alternatively, collectively citing the monumental size of the Raphael gallery – "A place that cries out something great," according to Osgerby, with which we can only agree. [ Continue reading ]

Midnight Modern by Tom Blachford

On February 20th, the Palm Springs-based Modernism Week will present an incredible one-day only exhibition opening by photographer Tom Blachford, at the iconic Menrad Residence, which forms the latest installment series by the photographer's 'Midnight Modern' images. The new works are an extension of Blachford’s previous collection, capturing tremendous classic Palm Springs mid-century architecture in the surreal light of a full moon. Fittingly, the exhibition will take place inside one of Palm Spring’s most beautiful mid-century homes, the Alexander built Menrad Residence - the foremost mid-century construction company known for their homes built in the 1950’s and 60’s - which will be open for tours during the day, finishing with a cocktail party in the evening. The amazing images truly reveal the sharp lines of the beautiful mid-century buildings in a perfect color palette, showing the tremendous talent of Blachford.  [ Continue reading ]

Dutch Design Talents 14

Yesterday marked a highly significant milestone in the 9 year history of our close friends online magazine Fontanel, after the release party on Friday evening at Mendo they officially released their very first printed publication: the definitive showcase of the best design talents who graduated in the Netherlands named 'Dutch Design Talents 14'. The 208-page hardcover book features 19 talents, agency visits, sharp columns and an inspirational dialogue with leading creatives on "the gap" between education and work. This first introduction to an international audience was elegantly designed by Rob van den Nieuwenhuizen (drawswords) and mainly resolves around the 19 talents graduated from renowned Dutch art schools like Eindhoven’s Design Academy, Amsterdam’s Rietveld and The Hague’s Royal Academy of the Arts, after which subsequently a narrative on the overal climate of the current dutch creative culture was formed. Each of the talents is remarkably distinct, one of them is for instance Bob Schiller, who created the EPO Bicycle which we wrote about last year. But despite all the differences in what they created and why, they all share something special in the eyes of Fontanel Chief-editor Willem van Roosmalen: "the combination of a promising attitude and unspoilt creative thinking." [ Continue reading ]

Laboratory Perfumes

Inspired by the incredible flora of the British countryside, the London-based Laboratory Perfumes have been creating clean, pure and modern fragrances, evocative of nature since 2012. While the overall created aesthetic of the brand reflects a love of simplicity, the fragrances are extremely complex and have an evolutionary life on the skin, with elegant glass bottles and candle beaker echo the origins of the traditional perfumier’s laboratory. The original aim behind Laboratory Perfumes was to create a range of perfumes which evoke a strong sense of place, with all three of the original fragrances sharing an association with the English coast and surrounding countryside. If there would be a particular place, it could be the heritage coast of East Anglia, Pembrokeshire or maybe (but this is likely a more personal sentiment) even Ireland's Mourne Mountains. We love the nice touch of the laboratory beaker and scientific calibrations, which recreate the nostalgia of the science laboratory and result in an unexpected contrast between the fragrances inspired by nature and the laboratory. In our eyes this created a fascinating contrast in the perception of the beautiful products, with this year introducing an all new scent promising a lot for the future. [ Continue reading ]

Inspirations — Moritz Firchow

The super inspirational Mannheim-based creative studio Deutsche & Japaner was formed in 2009 by Moritz Firchow, David Wolpert, Ina Yamaguchi and Julian Zimmerman: working in the field of graphic, product and interior design with a rich and highly aesthetic style. Since their start we’ve always been a big fan of their multidisciplinary work. The studio focuses on communication, regardless of its physical condition, environmental, haptical or visual, but always in regard of sustainable experiences, which over the course of the last years resulted in incredible free work, which blends smoothly with commissioned assignments. Next to Moritz' endeavors under the Deutsche & Japaner flag, he has also been running another important source of inspiration named Arcademi; an online publication focusing on (autonomous) creative work from all over the world. To which he added two other amazing projects in 2012; Aesthetics Habitat, through which content is created in collaboration with brands and creative visionaries with thrilling results so far, and lastly in the same year he co-founded a distinguished winery named Love Me Los Angeles, together with wine-expert Katharina Riess, Florian Breimesser. Having been constantly inspired by the creative mind of Moritz, we now ask him about his - general - inspirations. [ Continue reading ]

LTAF ORIGIN

We are very inspired by LTAF ORIGIN. A design and craft research project by Jorinde Meline Barke, creator of label J-M-B JEWELRY, and Frank Michels, co-initiator at the great Berlin-based industrial design studio GECKELER MICHELS. The outcome of the project is a set of four different jewelry pieces implemented in an ancient indian lost-wax casting technique called Dhokra. During preliminary research, anthropological literature led to Dr. Jaidev Baghels’ workshop in Kondagaon — in the city of Chhattisgarh, India — a renowned hotspot for Dhokra. The jewelry pieces were crafted on site under Frank Michels' assistance with both primitive and thoroughly fascinating means. Dr. Jaidev Baghels’ son Buphendra Baghel played a decisive role with leading the making and his team of skilled workers. The seemingly simple process turned out to be a complex and almost alchemistic affair, reminiscent of the Bronze Age’s enormous power of technical and social revolution. Into operation came materials such as sulfur yellow beeswax and black industrial paraffin way, river bed mudd, cow dung and earth from termite’s nests. Remains from used brass vessels were being recycled, and two hens were sacrificed in order to arouse a succesful casting operation. [ Continue reading ]