Back in 2015 we covered the launch of AEANCE with their first collection here on Another Something. Earlier this year they released their third collection underlining their brave move away from the fashion cycles of multiple collections a year, and building on a non-seasonal basis in collaboration with well known designers. Starting with Hien Le on collection one and Steven Tai on collection two, it was now time to collaborate with the acclaimed industrial designer Konstantin Grcic on collection three. It marks an evolution from the brand’s signature performance apparel, into technical yet tailored ready-to-wear. The luxurious silhouettes in the 9-piece collection reflect AEANCE and Grcic’s understated, timeless and functional approach to design. Collection 3 will be available this May/June. [ Continue reading ]

As we’re slowly putting renewed energy back into Another Something, trying to reframe what ‘blogging’ and ‘curating’ means in 2019, it feels just right to start off with things that are close to our heart. Huck Magazine is definitely one of them. For their latest issue  they asked Flying Lotus as guest curator.  [ Continue reading ]

OUTLIER always inspired and amazed us with not only their garments, but especially with their authentic and real choice of artists and photographers to collaborate with. Their latest addition to that is no difference. They teamed up with 3D digital artist, Hirad Sab, for a bold reimagining of the e-commerce experience.
Together, with Hirad, they’ve built an immersive and innovative new product page for the company’s Slim Dungarees. [ Continue reading ]

'MIRROR RIM' by Alain Urrutia is a series of eleven paintings made to flip around, like a mirror, reflecting a fragmented and reconstructed alternative reality. Where he previously made super large paintings, these realistic small format black and white images, reframed and alienated from their historical value, are made to question our interpretations. The MIRROR RIM project was born from the idea of making two exhibitions in two different places that would change when moving from one space to the second one . The works from MIRROR RIM are composed symmetrically on their horizontal axis. The mirrored images we get in this way can be flipped 180 degrees. This is what happens when the exhibition is moved from one gallery to the second one. The paintings have been rotated so this second exhibition at Appleton Square in Lisbon, would work as the reflection of the first exhibition at the DIDAC Foundation in Santiago de Compostela. Hence the title of the exhibition, MIRROR RIM, a palindrome that refers to the edge of the mirror. [ Continue reading ]

We’re proud to announce the launch of Abel’s new fragrance, the Green Cedar.
With its sixth all-natural fragrance into the vita odor collection, the Green Cedar reflecting a rich scent profile of its hero ingredient, as well as a nod to the sustainable credentials of wild harvested cedarwood.  [ Continue reading ]

Satisfy, our favourite technical running brand, is back with the release of the Spring/Summer 2018 campaign RUN! PUNK RUN! They produced a short film as an ode to punk running. Shot and directed by Magdalena Wosinska, the film follows runner and biker Chase Stopnik through the dystopian outskirts of downtown Los Angeles from the empty concrete basin of industrial Vernon to the Mars-like foothills above the 210 Freeway. [ Continue reading ]

The brutal aesthetics hidden within the familiar of everyday life, the globalized sameness of todays metropolises, and the way these megacities are meticulously planned are central themes in Wolfgang Lehrner's work. As great fans of his immaculate eye, we have shared his beautiful Athens-shot series 'Metro-Polis' here before. Lehrner’s latest ambitious project named 'City Without Name' is another incredible addition to his body of work. Capturing different aspects of everyday life in Mexico City in his unique manner, he takes the spectator from the heart of the city all the way to the periphery and back again; always finding an extraordinary level of abstraction, straight lines, anonymous people on the move through the constructions erupted out of a seemingly infinite mix of glass, steel and concrete. Lehrner captures moments in Mexico City that are so familiar, yet feel as if taking place on a different planet. Evermore questioning the utopian concept of modernity, he portrays a city without distinct limits, always finding a way to mould these uniform and monotone moments into intrinsically captivating images. [ Continue reading ]