Opening today, the great Danish-Icelandic visionary Olafur Eliasson returns with another prestigious show taking the exhibition of his creative vision to the next level, being located in the most remarkable environment until date — having been the home of cutting edge art and design from different eras since the moment it was finished by French King Louis XIII in 1623: Château de Versailles. Herewith he follows the likes of Jeff Koons, Takashi Murakami and Anish Kapoor, amongst others, who in the modern art program that started in 2008 have brought their vision to France's most famous chateau and gardens.
Earlier shows by Eliasson in contexts like the Louisiana and Fondation Louis Vuitton underlined that he is undeniably part of the most influential artists of this time — the show in the Versailles could be seen as a marker that he will continue to be seen that way even in the far future. Seeing the highly aesthetic creations full of narrative by Eliasson in the historically charged context, having (and still does so) housed centuries of French aristocratic splendor, forms a fascinating clash of representational icons of different stretches in space of time, without it feeling unnatural in any way. The different creations that can be found in the estate, partly having been created exclusively for the exhibition, came to life in Eliasson's head while wandering the grounds, sometimes alone at night, when no one was around. Among the most impressive creations is the structure named 'Waterfall', fulfilling an original idea of the 17th Century landscape architect André Le Nôtre, which couldn't be realized at the time when the Château and its gardens were originally constructed. Finishing a story which first grew in someone's imagination centuries ago and seeing the for the artist familiar immaculate execution of such idea hits a delicate nerve, which inspires us deeply.
Looking backwards, sketching out what lays ahead.
Make sure to travel to Versailles and step into this remarkable collision of past and future before the show closes on the 30th of October. We will. [ Continue reading ]
In October of last year the biggest and most ambitious private museum of Paris opened its doors for the first time. The new institute named Fondation Louis Vuitton aims to become a monumental contemporary-art museum, housed in a building designed by the legendary Frank Gehry and commissioned by the LVMH director Bernard Arnault himself. In the first months visitors could tour the building, view sketches and maquettes of Gehry's design, and discover a rotating selection of artworks from the Fondation's own impressive collection. In December the very first art exhibiting was opened, featuring tremendous new work by the Danish-Icelandic artist Olafur Eliasson named 'Contact'. Like 'Riverbed', which we were lucky to visit at the end of 2014, Eliasson once again created a highly immersive world, but instead of a rocky riverbed he takes the visitor on a virtual space odyssey after which one is intermittently plunged into darkness, making the exhibition a dark opposite of his exhibition at the Louisiana Museum of Modern Art. [ Continue reading ]
Since this summer the Humlebæk-based Louisiana Museum of Modern Art hosts the first solo exhibition of the Danish-Icelandic artist Olafur Eliasson. The main work on display in the extraordinary museum 30 kilometers away from Copenhagen which was exclusively created by Eliasson features an incredible giant landscape unfolded throughout the South Wing of the museum which he named 'Riverbed'. Although the radical work hints to grotesqueness in its core, from the moment when we were finally able to see it with our own eyes yesterday, we can only underline what everyone has said before us: walking through the 'Riverbed' is truly a tremendous experience. If in the position we highly recommend to visit the work before it closes on the 4th of January. Eliasson’s exhibition questions the meaning and experience of the museum itself, and the complexities of the relationship between the artist, building, and viewer. By exploring the process of inhabiting space, Eliasson focuses the visitor’s attention on the art itself by encouraging the visitor to explore the landscape. Thus, the visitor is both at the exhibit and actually on it: living the artist's mantra Contact is Content. [ Continue reading ]
From the moment we encountered the super inspirational work of Congolese photographic artist Sammy Baloji, we haven't been able to get his haunting imagery out of our heads ever since. In the last decade, the artist, who resides in his city of birth Lubumbashi and Brussels, has gathered international acclaim with his photographic works that explore the cultural, architectural and industrial heritage of the region where he was born named Katanga in the African country Congo. Baloji juxtaposes photographic realities, combining past and present, the real and the ideal, to illicit extraordinary cultural and historical tensions.
With his imagery Baloji explores architecture and the human body as traces of social history, sites of memory, and witnesses to operations of power. History of art and documentary photography blend with that of colonialism. His series of photomontages, of revisited albums confront his historical research with the human and economic actuality (such as the new invasions of these territories by companies from China for instance). All of his juxtapositions are highly charged with meaning, but above all: always succeed in leaving an everlasting impression, that forces one to question past, present and future of Congo and the whole continent of Africa. [ Continue reading ]
Another year has passed right before our very eyes. Although, as always, we tried to grasp it every once in a while, it feels like yesterday since the last new years eve. But here we are again after another remarkable, flown by, twelve months with some wonderful things to look back on (and to look forward to!). As per usual there was as little sitting still as possible with some great collaborations realized - among which the rebrand of Travelteq is particularly special - hard work on our own projects and of course trips (business ànd pleasure) all around the world. Both accompanied by bike or just with family and friends. Speaking of those; a wonderful highlight was Tenue's trip to San Francisco, but also the visit to beautiful Porto, Paris with ...,staat, Sweden to partake in the Dalslandrunt15, the exciting trip to Croatia for the upcoming revitalized Our Current Obsessions, and visiting our friends of GERTRUD & GEORGE in Geneva, amongst others. This year also marked some extraordinary steps forward for Tenue de Nîmes with the introduction of the first own designs, several great collaborations of which the Hancock VA coats are a true highlight and finally the presentation of Journal Nº 12. As always we will be back in the new year, with very soon an all new aesthetic and approach for Another Something. Stay tuned and until that moment, enjoy our favorite discoveries of last year. [ Continue reading ]
We are very inspired by the incredible 'Atmosphere' series of Chili-born, Berlin-based Macarena Ruiz-Tagle. The images of the artist are immaculately painted on paper, resembling color field paintings to perfection. Each of the works show a different mix of pigments that plays with the viewers’ perception and mood, being the result of an extensive physical movement training process of meticulously hand made accumulation of gradual degrees of saturation. When observed from close, there is a detailed pigmentation of the paper, and from a distance, the color vibration appears to the eye in an effort to focus the wandering mesmerizing tinted-air surface with blurry edges, forming a perfect vision of what the incredibly talented artist sees as atmospheres. [ Continue reading ]
The ever-inspirational A Magazine curated by has just launched it’s 14th edition for Spring/Summer 2015 with the Roman jewellery designer Delfina Delettrez as the curator. It forms the first A Magazine curated by an Italian woman and the very first issue to explore the decorative realm of a jewellery designer, after the magazine’s longstanding relationship with prét-à-porter designers was first diverted in 2013 by the curation of British milliner Stephen Jones. Delettrez has chosen the abstract theme of ‘gold’, tipping an international array of artists, designers, photographers, stylists, architects, philosophers and other creative minds to interpret a myriad of aesthetic, alchemical and metaphysical representations of this precious metal and its intrinsic energy. [ Continue reading ]
Stockholm and Paris-based Romain Lenancker is one of those individuals who continues to inspire us with his work in art direction and set design. His portfolio has expanded progressively over the last few years, with everything he produces looking extremely impressive. His commercial work blends aesthetically perfectly with personal projects. Lenancker is an art director and set designer with an almost unparalleled eye for composition. His portfolio is living proof that it is possible to marry the needs of demanding commissions with arresting, thoughtful imagery. He’s particularly adept at using a limited colour palette to maximum effect, letting his superlative attention to detail capture and hold the viewers’ attention. He works as the Art Director of Intersection Magazine's still-life division. Over the course of the years in which Another Something & Company has been active, Romain has always been raising the bar in a very inspirational manner and therefore we've asked him what inspires him in life. [ Continue reading ]
The German Freunde von Freunden (friends of friends) visited the Boros residence – a former Second World War air raid shelter built in 1942 in central Berlin. An amazing place where Christian and his wife, Karen, live with their son between a dazzling collection of art and installations… [ Continue reading ]